15 Main Films About Fashion World

The fashion world, such a city and expressive for the submissive alone, is actually extremely closed and even hermetic, with its secrets and terrible secret. Even if we called all the Fashion channels, you are in manifesto we carry sandals with socks, in a leopard print, of course, know, one day you will see them on the podium and then you can't go away from this ubiquitous fashion.

"Funny Mord" (director Stanley Donen, 1957)

An invincible classic is the story of "Cinderella" and its random and incredible success, the wardrified by Audrey Hepburn and Fred Aster. Hunters for new faces and images from the glamorous magazine look at the bookstore, where Joe is found, which is destined to become a new model standard. Everything is terribly innocent, zadorny and to the music. About the times when naivety and waterville reigned in fashion.

"The Devil wears Prada" (director David Frankel, 2006)

The classic of the historiography of the zero mode, the image of Miranda Megeors is written off with the Almighty Anna Wints from Vogue. Anne Hathaway Hyporestally gives the transformation of the image of the trepidate lini into a degenerate and close to the devotee of the industry. In Russian dubble, Miranda, that is, Maryl Streep, voiced by Evelyna Khromchenko. Well, we all know what was later.

"Shopogolik" (director P.J. Hogan, 2009)

An instructive Romka about where dreams of beautiful rags lead. For the most dramatism and irony, the main character made a financial journalist. And if not they, then who, we lost in the shopping of the sheep, will tell that fashionable outfits are not only art and sparkling gloss, but, first of all, there are holes in your digestible budget. It turns out that everything is equal before brands.

Coco to Chanel (director Ann Fonten, 2009)

A little foggy, but very beautiful baiopic about the unique Coco Chanel. I wanted to shoot Kira Knightley, but it's good that we changed my mind, Audrey Tuo, although it desperately continues to squeeze out of myself, a lot of Amelie, but Kiru in the image of Coco would be unbearable.

"JIA" (director Michael Christopher, 1998)

Another biography, this time much more sharp and dramatic. Talks about the life and suffering of a luxurious model of Jiya Marie Caarance. She was admired and worn on the hands of fashion designers and famous photographers, but the thrust to the opiate turned out to be stronger than the luxurious life of the star. It is believed that the death of JiA from AIDS was recognized as the first death of a woman from this disease.

"Pret-A-port" (director Robert Ostman, 1994)

An ironic film-firework about fashionable stoken and media fish-prigaal shot dear Robert Olttman. Regardless of the release date, "Pret-A-Port" did not lose its relevance at all. A real "drum" film about "Tusovka". It is interesting that most characters play themselves here, well, or not too veiled versions of themselves. We have no doubt that every week of fashion is just a housing comedy.

"Notes on clothing and cities" (director Vim Wenders, 1989)

Vim Wenders communicates with Yamamoto, observes through the camera at the work of the fashion designer. An innovative project of Wersends over the years is perceived even deeper. This is not just a story about the artisan workshop, we see an uneven and meditative portrait of the artist, which despite the dynamics of the movie still looks like a story in statics.

"Revenge from Kutur" (director Joslin Murchaus, 2015)

"Dogville" about the power of revenge embedded in the sewing machine mechanism. The chic and elegant modist Tilly (Kate Winslet) under the cover of the night returns from Europe to his native Australian wilderness. Here is full of darkness, and only the French polisman sympathizes a poor girl and worst her skill. All the others are quietly hated, the dark story of the death of the boy, which is associated with Tilly, is concluded in the past. Gradually, all the gossip of the town open the couture abilities of Tilly and they are built up to it in the queue for outfits. But the catharsis will not. Dresses separately, and life separately.

"September number" (director R. J. Cutler, 2009)

The documentary digest of the work of Vogue, led by Anna Winters over the fatal number in the history of the publication. In general, you understand that it is how to look into the kitchen to the chief of the legendary restaurant.

"Dior and I" (director Frederick Cheng, 2014)

Another documentary, this time about the work of the famous fashion house Dior in that disturbing period, when Galliano was replaced by Raf Simons and gave him unrealistic time to prepare a new collection. Looks like a thriller, in one breath.

"Iyris" (director Albert Misles, 2014)

A discouragingly cute film of the American Collectors and Poultry Birds Iris Afel. The director of the film Albert Meisles is also a kind of legend, but the film is not about him. Iris worship and admire the myriads of hatched recently Fashion bloggers. She is hardly the only person on the planet in the right mind and solid memory who can wear a suitcase on itself not combined at first glance, having fallen on the nose dragonfly glasses. The film is very warm and soulful, in the frame all the time the husband of Iris flashes, the heroine holds us through his fabulous possessions, in a person who grew up under the gray sky among the people dressed in the gray total onion, epileptic seizures. From happiness. She says to himself: "I am the oldest teenager on the planet."

Bill Cunningham New York (director Richard Press, 2010)

Another legend. Another portrait. Unfortunately, the hero of this film was not literally this summer. But in the film, the eighty-year-old Patriarch Street-Fashion photography dissecting New York with a camera at an old bicycle, 29th account after 28 stolen. Cunningham is a historical personality of a secular and fashionable life not only America, until last days he continued to shoot for the New York Times and never delegated his authority to assistants, has always been a process. No one knows anything about his family, about his personal life. In parallel, the film affect the history of the struggle of owners for the square in the Karnegie-Hall building, where many famous artist workers were studio apartments. And at Cunningham, there was a tiny apartment forced by drawers with negatives. Honorary old people actively wanted to evict from there. They say that he could endure a snapshot of a fashionable collection of anyapti, at which he visited, and to post a young designer-epigon for plagiarism. About the film can be told infinitely, but it is better to look at yourself.

"Sex in the Big City" (Michael Patrick King, Allen Kultter, Michael Enler et al., 1998-2004)

There are no extra words. The series could be renamed in "Sex and Fashion in the Big City", which is worth one episode with Carrie, in front of which in the wardrobe Vogue, the elderly patron sacrifies his pants. And all the fashionable princesses know that the gloss ends when the pants descend before you.

"Bergdorf Gudman: more than a century on top of fashion Olympus" (director Matthew Mile, 2013)

Where fashion is, there is always industry and sales. Documentary tape in which designers tell about the virtuoso retail-philosophy of fashion. After that, second-hand revelations and the cheap mass market look especially attractive. Although the history of the mass market is a separate topic.