I don't want to believe that in the rapidly ending 2017, we laughed little or just laughed at something strange. Editorial PICS.RU also tried during this time somehow dispersed the longing and see something light, witty and fun.
According to the results of its own views and after studying the top lists of all respected journals, such as Vogue and Esquire, it turned out that during the reporting period the film industry presented us with many very strange films. Which apparently, with some fright, called comedies. Collected their list of comedy paintings in a bunch, in which it is not clear to laugh.
"Kid on the drive" (director Edgar Wright)
The young dude loves loud music and something there should be on the gangster, the hero of Kevin Spacy (now it should be ridiculous or not very, do not even know). He is cool and quickly drives and participates in robbers, helping the thieves quickly get out of the crime scene. Edaki Ryan Gosling from the "Drive" of the Refna, only in the film with the Gosling Soundtrack was much more abruptly. At some point, Jamie Fox is connected to the gang all in red and desperately plays himself to the time of Kameo in the MTV clips. More than the comedy component is trying to fade unshaven John Hamm. There is an ideal romantic line, but why this criminal-music craft was called a comedy, remains a mystery.
"Love - illness" (director Michael Showolter)
Standap-comic of Pakistani descent, earning the driver "Uber" gets acquainted with a typical American town center. It can not imagine her parents, because they do not want a girl from another culture in the family. The main characters quarrel and part. Then a girl with a serious infection turns out to be in a coma. The guy raise her hospital. He somehow meets her parents. With this between them, sympathy arises and all that. And all two hours of the viewer are kept in the multi-page nonsense of registered dialogues with non-stop gags. The producers are the main character of the most funny film-made stories of the 00s of the 20 Judd Apatou, but then something clearly goes wrong. Catch the spoiler: intercultural differences wash off the state when death. Next - happy and "laugh after the word" shovel ".
"Telephone line" (director Gillian Robespierre)
Pseudoretro about 1995, in which the New York family is experiencing all the shades of a typical crisis. And there is nothing ridiculous in this, even funny, though, stand, funny, as in 2017 it is reconstructed from the memory of damn already distant 1995. The film is a very pleasant set of artists, including John Tour. But the plot in which at once two dramatic lines about the impending partitioning of parents and begging with the fiance of one of the sisters on the eve of the wedding, exactly comedy? May be.
Beatrice for dinner (director Miguel Arteta)
An extremely awkward cinema, in which Salma Hayek plays a frostbitten mexican chieler from the center of rehabilitation of cancer. Holds a goat at home and turns for the ecological balance worldwide. All the time in the frame, a close-up appetizing ass Hayek, who in the course of action accidentally turns out to be on a family and business dinner among the corobular developers and their wives. Hayek heroine drinks the top three glasses of white, smokes the shelter and begins to score on dudes at the table. We laugh at it first, then try to put sleep. She does not get up. Beaks the main thing for the love of safaris. And then goes to dry. By right - the most senseless-cruel "comedy" of the year.
"Table №19" (director, Jeffrey Blitz)
The main character turns out to be at the wedding of his former practically girlfriend after her brother threw the first on SMS, frightened pregnancy. Do not scare yourself, the knees on this end. The girl played by the New Princess Romomomov, Anna Kendrick, is planted for the Lasser table, where a very strange company gathered, including the first nanny of the bride and Phoebe from the series "Friends". In general, "a table for those who instead could send a wedding gift." It is expected that the company begins to rebel and spoil the wedding, but to the luxurious absurdist triumph, the action does not reach, but rolls into the banal robber about what kind of and where "skeletons" are buried. Well, OK. Funny. Although rather, sad and not very new.
"Incredible Jessica James" (director James S. Ostus)
Just the next drive virgin cinema about how, his mother, it is still difficult to survive parting. "Of course, I like me, I like me, I am awesome!", - Lob's promise from the main character causes an irresistible desire to stick. Natural and lobing. The narrative in the film is simple - do whatever you want, a new man will certainly appear on the horizon. Well, maybe this is suitable for someone, but not a comedy, covered by cool feminist installations. Guys, it's really not funny.
"Lovers" (director Azazel Jacobs)
The love quadrilateer is pounding in final passions so that it is about to break up new pairs. According to the plot, age-related husband and wife, both for long-term and permanent lovers, can no longer disperse and feed the "breakfasts" of these new unfortunate partners. You look, they are awesome, but I'm not laughing anywhere. To the final, everything will be replayed and will return there, where it began. Wildly a sorry for the son of the main characters, who comes from college to parents to introduce them to her girlfriend and comes out of himself from the Situyevina seen. This is certainly not a comedy, but a film about what the bastard is still a man. Informative? Yes. Funny? Not.
"Daughter and her mother" (director Jonathan Levin)
Assecting Tresh Category, as once said, "BE" with the unfair Goldi Khoun and another princess of a new American comedy - Amy Sumer. Mom and Padce go to Ecuador together, because the daughter threw the boyfriend, and the tickets to the tour were non-returnable. It is clear that they are waiting for a chain of stupid events and absurdities on the edge of the foul. The film for quite objective and understandable reasons did not like critics and his low rating on IMDB.com. But in our harsh times, if for one and a half hours of viewing something you managed at least once or two to laugh at the joke, thought I saw the "main comedy of the year."
